And so, dear readers, another month another opening of a film shamlessly, artlessly and lazily using homosexuals as a plot line. Well, well, what a surprise. Apparently there's no stopping this until we're all gay, is that the point?
This is the heartwarming tale of a man and woman, engaged to be married, that find trouble when the bride turns out to be attracted to the lesbian flower girl, according to the plot synopsis.
Touching. These writers and directors are teetering on the edge of absurdity and all they can do is scream "Look! There's homosexuals in our movies! Aren't we incredibly talented and enlightened?"
Um, no.
"But...but they're adopting kids!"
Humm....ok....well, thanks anyway hack.
More drivel destined to bring in about 20 viewers and critical acclaim. Whats next? Something really shocking like a relationship featuring..gasp! A man and woman?
This is really Hollywood displaying an alarming lack of creativity, again. Seems like we're having this little talk once a week or so doesn't it? Does that give you any indication of how dull these guys are getting? Does every movie descritption have to read like a bad porn plot?
Gay Cowboys? Lesbian Brides? Yeah, you guys have your fingers on the pulse of America allright. Good thing we have you enlightened people around to make films and show us what life is really like. Jeez, there's hope for any writer in America to work in Tinsel Town if this is the best they can do.
1 comment:
Hey Mojo,
Check this out:
The Associated Press
The cowboy love story "Brokeback Mountain" led the Academy Awards field Tuesday with eight nominations, among them best picture and honors for actor Heath Ledger and director Ang Lee.
Also nominated for best picture were the Truman Capote story "Capote"; the ensemble drama "Crash"; the Edward R. Murrow chronicle "Good Night, and Good Luck."; the assassination thriller "Munich."
The Johnny Cash biography, "Walk the Line," considered a likely best picture nominee, was shut out, though Joaquin Phoenix and Reese Witherspoon earned acting nominations for the film.
George Clooney picked up two nominations, as supporting actor for his role as a steadfast CIA undercover agent in "Syriana" and best director for his Edward R. Murrow tale "Good Night, and Good Luck."
Along with best-actor contender Ledger, and directing nominee Lee, "Brokeback Mountain" scored nominations for Michelle Williams as supporting actress, Jake Gyllenhaal as supporting actor and Larry McMurtry and Diana Ossana for their screenplay adaptation of Annie Proulx's short story.
The acting categories were a mix of familiar Oscar faces such as past winners Judi Dench and Charlize Theron, veterans like Clooney, Witherspoon, Rachel Weisz, David Strathairn and Felicity Huffman gaining their first academy attention, and young performers such as Williams and Amy Adams.
Philip Seymour Hoffman, the best-actor favorite for his remarkable impersonation of author Truman Capote in "Capote," joined Ledger in the best-actor category. Hoffman has triumphed at earlier film honors, including the Golden Globes.
Along with Hoffman, Ledger and Phoenix, the other nominees were Terrence Howard as a small-time hood turned rap singer in "Hustle & Flow" and Strathairn as newsman Murrow in "Good Night, and Good Luck."
The best-actress race presumably will shape up as a two-woman contest between Huffman in a gender-bending role as a man about to undergo sex-change surgery in "Transamerica" and Witherspoon as singer June Carter, Cash's musical companion and future wife, in "Walk the Line."
Huffman won the Golden Globe for best dramatic actress, while Witherspoon earned the Globe for best actress in a musical or comedy. Witherspoon beat Huffman on Sunday for the best-actress prize at the Screen Actors Guild Awards.
Also nominated for the best-actress Oscar were Dench as a society dame who starts a nude stage revue in 1930s London in "Mrs. Henderson Presents"; Keira Knightley as the romantic heroine of the Jane Austen adaptation "Pride & Prejudice"; Charlize Theron as a mine worker who leads a sexual-harassment lawsuit against male co-workers in "North Country."
"Brokeback Mountain" led a wave of lower-budgeted independent films that scored big in the nominations, instead of the studio fare that normally dominates the Oscars. Other than "Munich," most bigger budget movies that had been on the best-picture radar, such as "Walk the Line," "Memoirs of a Geisha" and "Cinderella Man," were overlooked in the top Oscar category.
With key prizes at earlier Hollywood honors under its belt, "Brokeback Mountain" heads into the March 5 awards as the best-picture front-runner, potentially the first film with explicit homosexual themes to claim the grand prize at the Oscars.
The film stars Ledger and Gyllenhaal as Western roughnecks who share a summer of love while tending sheep together in the 1960s, then carry on a lifelong romance they conceal from their families. Williams co-stars as Ledger's wife, who overlooks her husband's affair to try to hold her family together.
Weisz, playing a humanitarian-aid worker in "The Constant Gardener," won the supporting-actress prize at the Golden Globes and SAG awards, giving her the inside track for the same honor at the Oscars.
Along with Weisz and Williams, supporting-actress nominations went to newcomer Adams as a big-hearted Southern waif in "Junebug"; Catherine Keener as "To Kill a Mockingbird" author Harper Lee in "Capote"; and Frances McDormand as a miner coping with debilitating disease in "North Country."
Besides Gyllenhaal and Clooney as a bullheaded CIA agent in "Syriana," nominees for supporting actor were Matt Dillon as a racist cop in "Crash"; Paul Giamatti as boxer Braddock's manager in "Cinderella Man"; and William Hurt as a ruthless mobster in "A History of Violence."
Hurt was a bit of surprise since he only appears for a few minutes at the end of the film in scene-stealing role.
Lee, who won the Directors Guild of America honor Saturday for "Brokeback Mountain," is the clear favorite to win the best-director Oscar.
Along with him and Clooney, other directing nominees were Paul Haggis for "Crash"; Bennett Miller for "Capote"; and Steven Spielberg for "Munich."
"Brokeback Mountain" has earned top honors from many earlier Hollywood awards, among them the Golden Globes, the Directors Guild of America and key critics groups. A best-picture win would make it the first film with explicit homosexual themes to claim the grand prize at the Oscars.
The Screen Actors Guild Awards on Sunday threw up a potential roadblock for "Brokeback Mountain," which was shut out for the ceremony's five acting awards. "Brokeback Mountain" had been viewed as a likely winner of the guild's award for overall cast performance, a prize that went to "Crash" instead.
But while the cast award is the guild's equivalent of a best-picture honor, six of the previous 10 SAG winners failed to take the top prize come Oscar night, including "Sideways" last year.
Oscar nominees in most categories are chosen by specific branches of the Academy of Motion Picture Arts and Sciences, such as directors, actors and writers. The full academy membership of about 5,800 is eligible to vote in all categories for the Oscars themselves.
ABC will broadcast the Oscars live March 5 from Hollywood's Kodak Theatre, with Jon Stewart as host.
Filmmaker Robert Altman, who has been nominated five times for best director but has never won, will receive an honorary Oscar for a career that includes such films as "M*A*S*H," "Nashville," "The Player" and "Gosford Park."
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